Sony A7r V Mirrorless Camera Launched
Brand |
Sony |
Model |
A7rV Camera |
Status |
Available |
Release date |
7th December, 2022 |
Specification |
|
Camera Type |
Full-frame mirrorless |
Sensor |
61MP |
Sensor Type |
Full frame |
Sensor Range |
Still images: ISO 100-32000, expandable to ISO 50-102,40, Movies: ISO 100-32000 |
Self-timer |
- |
Viewfinder |
1.6cm / 0.64-inch 9,437,184-dot OLED |
Autofocus system |
Hybrid with 693 phase detection points and subject detection |
Image Processor |
Bionz XR |
Video Recording |
8K at 24p |
Maximum continuous shooting rate |
Up to 10fps |
Screen |
3.2-inch 2,095,104-dot 4-axis touchscreen |
Shutter type |
- |
Shutter Speed |
- |
Built-In Flash |
Yes |
Storage |
2x CFexpress Type-A / SDXC |
Battery |
Rechargeable NP-FZ100 battery supplied |
Inputs |
- |
Wireless Connectivity |
- |
Lens Mount |
Sony FE |
Body |
|
Color |
Black |
Material |
Full-metal housing made of aluminum and magnesium, leatherette, cover |
Weight |
723g |
Dimension |
131.3 x 96.9 x 82.4mm |
Warranty |
Manufacturer |
The Sony a7R V is a mirrorless camera that combines precision and resolution for those who value detail. The fifth-generation a7R is dependable and well-rounded for video and photography applications thanks to its 8-stop image stabilization, 8K video recording, and all-new AI-based autofocus system with advanced subject recognition.
This full-frame 61MP Exmor R CMOS sensor has a back-illuminated design. It has a wide dynamic range of 15 stops, low noise, and incredible resolution with high clarity. For producing 14-bit, high-resolution 61MP stills with a native sensitivity range of ISO 100-32000, which can be further extended to ISO 50-102400, the sensor's structure encourages impressive image quality, and a copper wiring layer significantly speeds up data transmission.
Faster overall performance, impressive image quality with wide sensitivity and dynamic ranges, and more fluent processing that is capable of handling a plethora of AI tasks and intelligent AF alongside imaging processes are all made possible by a new BIONZ XR processing engine. For clear rendering of moving subjects, this processing system also reduces rolling shutter and other motion distortions.
With full-time AF/AE, the sensor and processor can shoot at up to 10 frames per second at full resolution with a mechanical shutter for up to 583 compressed raw frames. More than 1000 frames can be recorded in a single burst if only JPEG is shot.
The in-body image stabilization system has been revised for the a7R V, allowing for up to 8 stops of camera shake compensation. An optimized algorithm and a high-performance gyro sensor make up this 5-axis stabilization system, which improves communication between the camera body and lens and allows for more precise shake control.
In addition, there is an Active IS mode that adds even more precise stabilization methods for smoother footage straight out of the camera, specifically for video. Likewise, this computerized adjustment framework has been refreshed with another calculation that offers the best adjustment execution when matched with select OSS-empowered focal points.
You can get even more resolution than the 61MP sensor offers with this special compositing mode. Working related to the sensor-shift picture adjustment, this mode moves the sensor while making 16 sequential openings to procure roughly 240.8MP of data for more prominent variety precision and detail than conceivable with a solitary openness, alongside a noteworthy picture size of 19,008 x 12,672-pixels. The Sony Imaging software suite can then be used to combine these files in post-production.
New auto-openness calculation can distinguish skin region in faces to all the more precisely balance openings for representations. Even in backlit or direct sunlight conditions, as well as when the subject is not directly facing the camera, this AE technique is approximately 20% more reliable.
In addition to external visible light and infrared sensors, deep learning technology contributes to improved color reproduction and automatic white balance processing.
Human, which accurately captures head and body positions in portraits. Ongoing Eye AF execution has additionally been worked on by 60% thanks to the human posture assessment capacities.
The accuracy of the Animal, Bird, and Animal/Bird modes for tracking and identifying a variety of animal species has increased by 40%. Dogs, cats, birds, and other animals can be identified by focusing specifically on their eyes and recognizing their bodies and heads.
With the capability to detect the entire insect subject or just the head, insect recognition provides even finer performance.
Car, train, and airplane recognition means that the camera can easily detect the entire fast-moving subject or just the front part of a train or airplane.
Real-time Tracking is especially suitable for sports and action subjects because it uses AI-based subject recognition to follow moving subjects. Additionally, the camera is able to distinguish between multiple individuals and maintain focus on the intended subject thanks to Human Pose Estimation; The camera stays focused on the main character even when someone crosses in front of it.
A Fast Hybrid AF system has a dense 693 phase-detection point grid that covers 79% of the full-frame image area, or 100% of the APS-C cropped area. This allows for quick and precise focusing in a variety of lighting conditions with sensitivity down to -4 EV. This focusing system is usable in both video and stills applications and can be used in any recording mode.
Full-time DMF (Direct Manual Focus) makes it possible to use the focus ring on the lens at any time for manual focus control, making it simpler to focus on a different subject even when using AF.
This AF system provides continuous AF tracking between each successive frame, keeping up with the top 10 fps continuous shooting speeds for photographing moving subjects.
It is possible to record up to 299 frames with sequentially shifted focus points using in-camera Focus Bracketing. This can be used to create composite images in post-production with a depth of field that is greater than what is possible.
During video recording, Real-Time Eye AF is fully supported for subject detection and eye tracking of human, animal, and bird eyes while shooting.
With a colorful overlay of the scene that indicates which parts of the scene are in front of and behind the focus point based on the chosen aperture, Focus Map is a unique method of visualizing depth of field that functions similarly to peaking.
AF Assist, a feature from the FX6 digital cine camera, lets you easily switch to manual focus control when working with AF to change the focus position. While recording, this is a quick method for selectively switching focus between various scene subjects.
Focus Breathing compensation is a one-of-a-kind method of compensating for the performance of certain lenses when racking focus. It automatically smoothes focus transitions and maintains a consistent field of view when changing the focus position during a shot. When focusing is taking place, this mode slightly crops into the image and corrects for any compositional shifts that are detected. Several E-mount lenses are compatible with this function.
UHD 8K 24p and UHD 4K 60p XAVC HS 10-bit video recording with full pixel readout for impressive sharpness and realism is possible with the help of the high-resolution sensor and quick processing capabilities.
Full pixel readout recording at up to UHD 4K at 30p frame rates is possible with a Super 35 crop, and 6.2K oversampling can be used to get more detail and sharpness.
In XAVC HS and XAVC S-I, internal 10-bit 4:2:2 sampling is possible at up to 4K 60p. If you record externally using the full-size HDMI A port, you can use 16-bit raw output for even better tonal reproduction and post-production flexibility.
Two different codecs are used by the a7R V to accommodate various workflows: XAVC S-I, an intraframe codec with consistent performance and quality at higher bitrates, and XAVC HS, which employs HEVC/H.265 encoding to retain more detail at lower bitrates.
With the frame rate playback set to either 30p or 24p, high-speed, 120 fps recording in Full HD enables 4x and 5x slow-motion movie recording.
The camera's improved heat-dissipating structure makes it possible to record for longer periods of time because there is no limit to the recording time.
S-Cinetone can be utilized to convey particular tones and solid looking complexion delivering that matches the FX9, FX6, a1, and a7S III cameras and depends on innovation from the expert Film Line cameras, like the VENICE. Soft colors, natural midtones, and especially well-controlled highlights are all found in this color palette.
Gamma, black level, knee, and color level can all be adjusted using the extensive color and gamma controls that are customizable. Additionally, for increased flexibility in post-production, users can utilize the same S-Log2 Gamma Curve found on high-end Sony Cinema cameras, which squeezes up to 1300% more dynamic range into the video signal than the conventional REC709 does.
In addition to the BT.2020 color space, HLG (Hybrid Log-Gamma) support is available for recording within a broad color gamut. S-Log3 support is also available for producing a dynamic range of 15 or more stops with improved grading control in the image's shadow to mid-tone areas.
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